El Cuerpo, las Cuerpas, los Cuerpos.
Ensayo íntimo 1985 – 2085, instalación, performance. Daniel Santiago Salguero. Artecámara, Bogotá, 2009. Foto archivo DSS Notas sobre la obra de Daniel Santiago Salguero por Daniel Santiago Salguero en primera persona, vista a través del problema por el cuerpo. Todo lo fotográfico puede entenderse como un ejercicio (en sí mismo) de cuerpo si se piensa […]
Liliana Porter: The Subtlety of the Everyday
By Semíramis González Forty Years IIIA (Hand, Over Horizontal Line, 1973). 2013. Chromogenic printing and graphite. Courtesy of the artist and Espacio Mínimo Gallery, Madrid. Photo Courtesy of Museo Casa de la Moneda. The Royal Spanish Academy defines vestige as “the sign or remnant that remains of something material or immaterial”; therefore, it would be […]
Liliana Porter: La sutileza de lo cotidiano
Por Semíramis González Forty Years IIIA (Hand, Over Horizontal Line, 1973). 2013. Impresión cromogénica y grafito Cortesía de la artista y Galería Espacio Mínimo, Madrid. Foto cortesía del Museo Casa de la Moneda. La Real Academia Española define el término vestigio como “la señal o el resto que queda de algo material o inmaterial”; sería, […]
C A C H E Feminist Aesthetics and Archival Processes
By Nina Hoechtl 08/11/2024 – 12/01/2025 Located at the end of the permanent collection exhibition of the Lentos Art Museum, Linz, Austria, a small yet compelling exhibition opened in the Museum’s Reading Room in early November 2024. The exhibition artistically and performatively engages with a unique archive of working materials related to performance and media […]
When Manifesta Landed in Barcelona
By Nekane Aramburu 1. When Women Strike the World Stops, 2020 © Claire Fontaine, Vegap, Barcelona 2024. Photo © Manifesta 15 Barcelona Metropolitana / Ivan Erofeev Every two years since 1993, the International Foundation Manifesta has moved to a different European city, where, funded by local public institutions, it organizes a series of ephemeral exhibitions […]
De cuando Manifesta aterrizó en Barcelona
Por Nekane Aramburu 1. When women strike the world stops, 2020 © Claire Fontaine, Vegap, Barcelona 2024. Photo © Manifesta 15 Barcelona Metropolitana / Ivan Erofeev Cada dos años desde 1993, la International Foundation Manifesta se traslada a una ciudad europea, donde, financiados por las instituciones públicas locales, organizan un menú de propuestas expositivas efímeras […]
Feminine Gazes on the Body in The Kaluz Collection.
An Exercise to Reconcile Ourselves with Our Bodies By Blanca Meneses Exhibition curated by Karen Cordero R. Tolzú Cultural Center in Toluca, México Artists: Manuela Ballester, Angelina Beloff, Rocío Caballero, Carmen Chami, Olga Costa, Elvira Gascón, María Izquierdo, Mary Martín, Fanny Rabel, Josefa Sanromán, Lucinda Urrusti, Cordelia Urueta, Catalina Vallarta, Remedios Varo, Teresa Velázquez, Puri […]
Exposición Miradas femeninas al cuerpo desde la Colección Kaluz
Un ejercicio para reconciliarnos con nuestrxs cuerpxs Por Blanca Meneses Exposición curada por Karen Cordero R. Centro Cultural Tolzú, México. Artistas: Manuela Ballester, Angelina Beloff, Rocío Caballero, Carmen Chami, Olga Costa, Elvira Gascón, María Izquierdo, Mary Martín, Fanny Rabel, Josefa Sanromán, Lucinda Urrusti, Cordelia Urueta, Catalina Vallarta, Remedios Varo, Teresa Velázquez, Puri Yañez. Vistas de […]
WOMEN AT WAR
Curated by Monika Fabijanska Women in War opens at the North Dakota Museum of Art on January 16, 2025. This powerful exhibition showcases the work of leading contemporary women artists from Ukraine, including Yevgenia Belorusets, Oksana Chepelyk, Olia Fedorova, Alena Grom, Zhanna Kadyrova, Alevtina Kakhidze, Dana Kavelina, Lesia Khomenko, Vlada Ralko, Anna Scherbyna, Kateryna Yermolaeva, and Alla Horska (1929-1970). Spanning media from painting to video, it explores the gendered perspectives […]
Not Seeing with the Eyes and Erotic Painting
A Conversation between Daniel Santiago Salguero and Juana Anzellini.[1] Daniel: Juana, let’s talk about social media. Juana: I use social media to give visibility to what I do. What happens to me, or what I make happen, is like a record—an archive. She also tells me that she conducts interviews. She’s now on volume four; […]