Protected: Eréndira Derbez, Inés Amor y los Primeros Años de la Galería de Arte Mexicano.
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“Arrastrando un Cuerpo, 30 años después”
Taller de Performance por Elvira Santamaría y Eugenia Vargas Pereira ¨Arrastrando un Cuerpo¨, performance de Elvira Santamaría y Eugenia Vargas-Pereira, Ciudad de México, 1995. Documentación de Víctor Martínez. El taller Arrastrando un cuerpo, presentado en Ex Teresa Arte Actual y coordinado por Elvira Santamaría y Eugenia Vargas Pereira, se propuso como un acto de activación […]
Dragging a Body, 30 Years Later
A Performance Workshop by Elvira Santamaría and Eugenia Vargas Pereira Arrastrando un Cuerpo (Dragging a Body) performance by Elvira Santamaría and Eugenia Vargas-Pereira, Mexico City, 1995. Documentation by Víctor Martínez. The workshop Dragging a Body (Arrastrando un cuerpo), presented at Ex Teresa Arte Actual and coordinated by Elvira Santamaría and Eugenia Vargas Pereira, positioned itself as an act of critical archive […]
FEATHERWORK VS FEATHERWORK – PENACHO VS PENACHO
FEATHERWORK VS FEATHERWORK (PENACHO VS PENACHO): Radiant Emerald Green by Nina Hoechtl (AT-MX) in collaboration with Alberto Montes Zarate (MX) and Andrés Guadarrama (MX); Penacho Construction: José Arnaud (MX). “The Penacho of Moctezuma is also part of the DNA of the Austrians,” declared Sabine Haag, then Director-General of the Weltmuseum in Vienna, Austria, where the […]
Networks in Movement: Mobile Coordinates (Mexico, 2024)
Beneath Tides Column By fernanda ramos mena Coordenadas móviles. Redes de colaboración entre mujeres en la cultura y el arte (1975-1985). México: CIEG/UNAM, FIEBRE Ediciones, Project Office, Editorials, 2024. Register by Alessandro Rivera. Reading Mobile Coordinates: Networks of Collaboration Among Women in Culture and Art (1975-1985) is like unfolding a map filled with unexpected paths, […]
Recollections and Reflections on Collectivity
I am writing this reflection based on my experience with collectives over the course of over forty years, as a situated recollection, perhaps somewhat arbitrary, but coherent with what I have learned from this passage through collectivity: that one can only speak for oneself, and yet the sum of those singular voices, when placed in a horizontal, respectful dialogue, can potentialize the sum of multiple subjectivities in ways that suggest new models of power relations for society.
