THE BOYS CLUB
Susan Inglett Gallery By D. Dominick Lombardi SUSAN WEIL. Color 11, 1999 Acrylic, charcoal and watercolor on paper. 60 1/2 x 66 1/4 in Copyright The Artist. Courtesy of JDJ Gallery and Susan Inglett Gallery, NYC. THE BOYS CLUB, curated by Cortney Connolly for the Susan Inglett Gallery, is a timely and essential exhibition of […]
Agamemnon: The Circle of Blood at La MaMa NYC
By Yohanna M. Roa Concept, direction, and performance by Rafika Chawishe Rafika appears in the dim light of the stage, her bodily posture making us feel that she carries on her shoulders the weight of human violence: the intoxicating joy of the hero, the exacerbation of war, the cries of abused women, and the mourning […]
Agamemnon: The Circle of Blood en la MaMa NYC
Concepto, Dirección y Actuación de Rafika Chawishe Por Yohanna M. Roa Según Jorge Luis Borges, “En un periodo infinito de tiempo, todas las cosas les suceden a todas las personas. […] Como Cornelius Agrippa, soy dios, soy un héroe, soy un filósofo, soy un demonio, y soy el mundo, lo cual es una forma agotadora […]
Feminism Is a Vocabulary That We Can Massage
A conversation between Daniel Santiago Salguero and Jessica Mitrani Spoken Portrait Column Jessica as a performer in María Isabel Rueda’s work Al final del mundo (At the End of the World). 2022Photo by the artist. Jessica Mmmmmiiiiiiiittttrrraaannnniii, she uses her mmmmottttheeeeeeer’ss last name I met Jessica at a María Isabel Rueda[1] performance in Bogotá. which […]
El feminismo es un vocabulario que podemos masajear.
Una conversación entre Daniel Santiago Salguero y Jessica Mitrani Columna Retratos hablados Por Daniel Santiago Salguero Click here to read in English Jessica como performer en la obra Al fin del mundo, de María Isabel Rueda, 2022 Foto de la artista. Jessica mmmmmiiiiiiiittttrrraaannnniii lleva el apellido de su mamamamammamama Conocí a Jessica en un performance […]
Why a Magazina?
Some time ago, I participated in an exhibition that received several reviews. This show had an intersectional perspective that unveiled the issues of mass consumption and the political implications of the bodies involved in these macroeconomic processes, and their impacts on people’s daily lives. The reviews mentioned relevant aesthetic or political aspects of the works […]
