Subverting Time: Gestures of Friction within the Chronological Container
This essay examines Subverted Times: Interferences in the Museum’s Space/Time, an exhibition at the Museo de América in Madrid featuring interventions by Silvia Ramírez Monroy, Pablo Zamorano Azóca, Fabio Manosalva, Claudia Claremi, Ugo Martínez Lázaro, Abdiel D. Segarra Ríos, Ariel Sosa Urquía, Luisa Ordóñez, Glenda Zapata, and Lorena Tabares Salamanca. Through performance, installation, and archival practices, the artists challenge the linear temporal regimes and colonial narratives embedded in the ethnographic museum, proposing alternative understandings of time, memory, and historical continuity.
Subvertir los tiempos: gestos de fricción dentro del contenedor cronológico
Este ensayo analiza Tiempos subvertidos. Interferencias en el espacio/tiempo del Museo, una exposición presentada en el Museo de América de Madrid que reúne intervenciones contemporáneas dentro de su colección etnográfica. A través de obras de Silvia Ramírez Monroy, Pablo Zamorano Azóca, Fabio Manosalva, Claudia Claremi, Ugo Martínez Lázaro, Abdiel D. Segarra Ríos, Ariel Sosa Urquía, Luisa Ordóñez y Glenda Zapata, el proyecto cuestiona las narrativas coloniales y los regímenes temporales que estructuran el museo, proponiendo otras formas de pensar el tiempo, la memoria y el archivo.
“Nodos germinales”, reconfigurar los relatos de la Historia del Arte
Reseña crítica de Nodos germinales de Nekane Aramburu: espacios alternativos, autogestión cultural y nuevas historiografías del arte en los años noventa.
Germinal Nodes: Reconfiguring Art History Narratives
A critical review of Germinal Nodes by Nekane Aramburu, examining alternative art spaces, self-management, and new art historiographies in the 1990s.
Re-inmersiones en el Surrealismo
Trans – Europa, columna Por Nekane Aramburu “Cuando muera, ya no podré callarme nunca”. —Jean Cocteau Tanning D. Cumpleaños, 1942. Óleo sobre lienzo 102,2 × 64,8 cm. Philadelphia Museum of Art, Filadelfia. 125th Anniversary Acquisition. Adquirido con fondos aportados por C. K. Williams, II, 1999. N.º INV.: 1999-50-1. © Dorothéa Tanning; VEGAP, Madrid, 2025. Foto: […]
Re-immersions in Surrealism
Trans – Europe Column By Nekane Aramburu “When I die, I will never be able to keep silent again”. —Jean Cocteau Tanning D. Birthday, 1942. Oil on canvas, 102.2 × 64.8 cm. Philadelphia Museum of Art, Philadelphia. 125th Anniversary Acquisition. Purchased with funds contributed by C. K. Williams, II, 1999. INV. No. 1999-50-1. © Dorothéa […]
Liliana Porter: The Subtlety of the Everyday
By Semíramis González Forty Years IIIA (Hand, Over Horizontal Line, 1973). 2013. Chromogenic printing and graphite. Courtesy of the artist and Espacio Mínimo Gallery, Madrid. Photo Courtesy of Museo Casa de la Moneda. The Royal Spanish Academy defines vestige as “the sign or remnant that remains of something material or immaterial”; therefore, it would be […]
When Manifesta Landed in Barcelona
By Nekane Aramburu 1. When Women Strike the World Stops, 2020 © Claire Fontaine, Vegap, Barcelona 2024. Photo © Manifesta 15 Barcelona Metropolitana / Ivan Erofeev Every two years since 1993, the International Foundation Manifesta has moved to a different European city, where, funded by local public institutions, it organizes a series of ephemeral exhibitions […]
De cuando Manifesta aterrizó en Barcelona
Por Nekane Aramburu 1. When women strike the world stops, 2020 © Claire Fontaine, Vegap, Barcelona 2024. Photo © Manifesta 15 Barcelona Metropolitana / Ivan Erofeev Cada dos años desde 1993, la International Foundation Manifesta se traslada a una ciudad europea, donde, financiados por las instituciones públicas locales, organizan un menú de propuestas expositivas efímeras […]
Mariana Vargas has received the @prior_artcollections award
Mariana Vargas has received the @prior_artcollections award, formed by @delarco_artcollection and @cuperior_collection, presented at the By invitation event at @circulo_ecuestre. This recognition holds deep symbolic value, as it represents a strong support in the fight to break the silence surrounding abuses of power, an issue also presented within the art world. The awarded piece is […]