The Politics of the Object in Michele Pred’s Work
Projecting Democracy: Michele Pred and the Feminist Politics of the Object — Essay by Yohanna Magdalene Roa for INES_Magazina on Michele Pred’s exhibition at Nancy Hoffman Gallery. The article examines how Pred uses everyday objects—vintage purses, quilts, confiscated airport items, and architectural projections—to address feminism, human rights, bodily autonomy, and the intersection of domestic space and political power in contemporary art.
Insight: Emily Blair Quinn at 5-50 Gallery NYC
This review examines Emily Blair Quinn’s exhibition at 5-50 Gallery, focusing on her paintings, resin sculptures, and photographs that reinterpret vintage porcelain figurines through a contemporary feminist lens. Drawing on Gilded Age aesthetics and themes of gender norms, beauty standards, and female subjectivity, Quinn transforms decorative statuary into psychologically charged narratives. The exhibition critiques historical and contemporary constructions of femininity, including the impact of social media and AI-driven beauty culture, presenting a cohesive body of work grounded in feminist aesthetics and material experimentation.
Ana Victoria Jiménez (1941–2025): Artist, Editor, and Archivist of a Transnational Feminist Memory
Obituary for Ana Victoria Jiménez, a key figure in feminist art and archival practice. Her work reshapes art history through critical theory and a Latin American decolonial perspective.
Ana Victoria Jiménez (1941–2025): artista, editora y archivista de una memoria feminista transnacional.
Obituario de Ana Victoria Jiménez, figura clave del arte y archivo feminista. Su obra redefine la historia del arte desde la teoría crítica y la mirada decolonial latinoamericana.
Ruin and Flight: Counterhistories and Simulation in The Wayfinders
A critical review of Peggy Ahwesh’s The Wayfinders, a feminist counterarchive blending ruin, simulation, and decolonial historiography in a major NYC video installation.