Projecting Democracy: Michele Pred y la política feminista del objeto

Este ensayo de Yohanna Magdalene Roa analiza la exposición Projecting Democracy de Michele Pred presentada en Nancy Hoffman Gallery. A través de objetos cotidianos —carteras vintage, quilts, objetos confiscados en aeropuertos y proyecciones sobre arquitectura pública— la artista examina las tensiones entre lo doméstico y lo político. El texto aborda cómo estas obras activan debates sobre feminismo, autonomía corporal, derechos humanos y las formas en que los objetos ordinarios pueden convertirse en dispositivos críticos dentro del arte contemporáneo.

The Politics of the Object in Michele Pred’s Work

Projecting Democracy: Michele Pred and the Feminist Politics of the Object — Essay by Yohanna Magdalene Roa for INES_Magazina on Michele Pred’s exhibition at Nancy Hoffman Gallery. The article examines how Pred uses everyday objects—vintage purses, quilts, confiscated airport items, and architectural projections—to address feminism, human rights, bodily autonomy, and the intersection of domestic space and political power in contemporary art.

Between Absences, Memories, and Calligraphic Dances

The Politics of Love and Memory in Mimian Hsu’s Work at NUNU Fine Art New York By Yohanna M Roa Installation image of Mimian Hsu: Everyone is Asking at Nunu Fine Art, New York, 2025. Photo by Martin Seck. Courtesy of Nunu Fine Art. In Mimian Hsu’s work, politics manifests as a gesture of love. […]

Feminine Gazes on the Body in The Kaluz Collection.

An Exercise to Reconcile Ourselves with Our Bodies By Blanca Meneses Exhibition curated by Karen Cordero R. Tolzú Cultural Center in Toluca, México Artists: Manuela Ballester, Angelina Beloff, Rocío Caballero, Carmen Chami, Olga Costa, Elvira Gascón, María Izquierdo, Mary Martín, Fanny Rabel, Josefa Sanromán, Lucinda Urrusti, Cordelia Urueta, Catalina Vallarta, Remedios Varo, Teresa Velázquez, Puri […]

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