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Liliana Porter: The Subtlety of the Everyday

By Semíramis González Forty Years IIIA (Hand, Over Horizontal Line, 1973). 2013. …

C A C H E Feminist Aesthetics and Archival Processes

By Nina Hoechtl 08/11/2024 – 12/01/2025 Located at the end of the …

When Manifesta Landed in Barcelona

By Nekane Aramburu 1. When Women Strike the World Stops, 2020 © …

Feminine Gazes on the Body in The Kaluz Collection.

An Exercise to Reconcile Ourselves with Our Bodies By Blanca Meneses Exhibition …

WOMEN AT WAR

Curated by Monika Fabijanska Women in War opens at the North Dakota …

Not Seeing with the Eyes and Erotic Painting

A Conversation between Daniel Santiago Salguero and Juana Anzellini.[1] Daniel: Juana, let’s …

THE BOYS CLUB

Susan Inglett Gallery By D. Dominick Lombardi SUSAN WEIL. Color 11, 1999 …

Agamemnon: The Circle of Blood at La MaMa NYC

By Yohanna M. Roa Concept, direction, and performance by Rafika Chawishe Rafika …

Loop Barcelona 2024

A Celebration of Video Art and Social Transformation Thomas Radin Institut del …

Networks in Movement: Mobile Coordinates (Mexico, 2024)

Beneath Tides Column By fernanda ramos mena Coordenadas móviles. Redes de colaboración …

Contemporary Art, Unlearning, and Handcrafted Textiles

Interview with Jorge González Santos, visual artistSpoken PortraitBy Daniel Santiago Salguero Leer …

Mourning Rituals and Archiving Practices Around the Exhibition ¨I Started Painting When My Grandmother Began to Lose Her Memory¨

The Unruled Column By Kekena Corvalán Leer en español Camila Barcellone, Tati …

Natalia Pastor: Inside Out

Breaking the Gaze Column by Semíramis González  No pienso recoger los platos …

Struggles for Art. Map of Relations and Disputes for the Hegemony of Art, 1843-1933

National Museum of Fine Arts of Santiago, Chile: Interview with Curators. The …

Feminism Is a Vocabulary That We Can Massage

A conversation between Daniel Santiago Salguero and Jessica Mitrani Spoken Portrait Column …

Recollections and Reflections on Collectivity

I am writing this reflection based on my experience with collectives over …
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